Richard Sternberg

Senior Fellow, Center for Science and Culture
Richard Sternberg is an evolutionary biologist with interests in the relation between genes and morphological homologies, and the nature of genomic “information.” He holds two Ph.D.'s: one in Biology (Molecular Evolution) from Florida International University and another in Systems Science (Theoretical Biology) from Binghamton University. From 2001-2007, he served as a staff scientist at the National Center for Biotechnology Information, and from 2001-2007 was a Research Associate at the Smithsonian’s National Museum of Natural History. Dr. Sternberg is presently a research scientist at the Biologic Institute, supported by a research fellowship from the Center for Science and Culture at Discovery Institute. He is also a Research Collaborator at the National Museum of Natural History.

Debating Darwin’s Doubt

Stephen Meyer’s book Darwin’s Doubt: The Explosive Origin of Animal Life and the Case for Intelligent Design became a national bestseller, provoking a wide-ranging debate about the adequacy of Darwinian theory to explain life’s history. In Debating Darwin’s Doubt: A Scientific Controversy that Can No Longer Be Denied, leading scholars in the intelligent design community respond to critiques of Meyer’s book and show that the core challenge posed by Meyer remains unanswered.

Signature of Controversy

Signature of Controversy is a response to the 2009 bestseller Signature in the Cell by Stephen C. Meyer, a book recognized as establishing one of the strongest pillars underlying the argument for intelligent design. To call Signature in the Cell important is an understatement. The critical response that followed the publication of Stephen Meyer’s book was fascinating, but the fact is that few — if any — of the critics really grappled with the crux of Meyer’s argument or with the substance of intelligent-design theory. This is remarkable and telling.  In Signature of Controversy, defenders of intelligent design analyze the hostile response using the critics’ own writings.  Edited by David Klinghoffer and including essays by David